Showing posts with label Hearts. Show all posts
Showing posts with label Hearts. Show all posts

Thursday, September 29, 2011

King of Hearts [VHS]







King of Hearts [VHS] Overview


This film was a touchstone of the late 1960s, when it was seen as an antiwar allegory for a world in which madness seemed to reign. Of course, that would probably be true whenever this movie was shown, wouldn't it? Directed by Philippe de Broca and set during World War I, King of Hearts stars Alan Bates as a Scottish soldier separated from his unit in France. He wanders into a small French village that has been abandoned by its residents in the face of oncoming combat. Instead, the town is populated by the residents of a nearby insane asylum, whose keepers have fled--a fact that escapes the innocent soldier, who assumes these are the regular folks. A film that celebrates the innocence and wisdom of the insane, even as it questions who the real madmen are. --Marshall Fine




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Sunday, April 17, 2011

Random Hearts [VHS]







Random Hearts [VHS] Overview


Reviled by critics and largely ignored by moviegoers when released in 1999, Random Hearts is a pox on the reputations of Harrison Ford, Kristin Scott Thomas, and director Sydney Pollack, but it doesn't entirely deserve its lowly fate. The movie's lugubriously paced and its repressed passions are dulled under the weight of relentless melancholy, but Pollack deserves credit for defying the Hollywood Zeitgeist with a mature, substantial film about the power of betrayal to reach beyond the grave.

Ford plays a Washington, D.C. detective; Scott Thomas is a Congresswoman in the midst of a re-election campaign. When their spouses die in a plane crash, the cop is convinced they'd been having an affair, and his obsessive, masochistic quest for the painful truth draws him closer to the Congresswoman despite the mutual risks to their careers and domestic privacy. While she hides behind a façade of denial, his agonized investigation makes him simultaneously unappealing (a risk Ford may have taken as a challenge), sympathetic, and sadly compelling.

Pollack takes his own chances by keeping everything so relentlessly downbeat, but anyone receptive to the story will find that Random Hearts is a subtly rewarding study of tormented adults who've discovered too late the weaknesses of their seemingly stable marriages. It's anything but cheerful, and a subplot involving a corrupt cop (Dennis Haysbert) is a formulaic distraction. But Random Hearts provides welcome relief from dramas that flirt with emotional anguish without delving into its deeper consequences. --Jeff Shannon




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Thursday, April 22, 2010

Desert Hearts [VHS]







Desert Hearts [VHS] Overview


When college professor Vivian Bell (Helen Shaver) arrives in Reno in 1959 to get a quickie divorce, the last thing on her mind is romance. A prim intellectual, crippled by a sterile marriage ("We're a professional couple") and hiding behind her education, she moves into a ranch belonging to Frances Parker (Audra Lindley) and tries to keep to herself. But Parker's beautiful, sassy tomboy of a stepdaughter proves to be quite a distraction, and a love affair slowly blossoms. Cay (Patricia Charbonneau) refuses to be bound by convention or by expectations of how a nice girl should behave, and her devil-may-care attitude both attracts and terrifies the nervous professor.

Shaver is terrific as Vivian, and the slow thawing of her character is beautifully paced--you can feel the tension break when she finally lets down her guard. Another strong performance comes from Audra Lindley as Frances. She's a tough old bird with a drinking problem, but Lindley keeps the character from descending into stereotype, and she gives full rein to the tragic side of this lonely woman, especially as she struggles with her reaction to the developing relationship between Cay and Vivian.

There are scenes in Desert Hearts that would be painfully clichéd if they appeared in a heterosexual romance, and even here they only just escape that fate--relying a little too much on significant glances and lines that just don't sound like real conversation. Nevertheless, first-time director Deitch breathes new life into a standard straight-arrow-meets-free-spirit plot, and steadfastly refuses to turn this love story into an "issues movie." Add to that a strong feel for the period and a soundtrack filled with the likes of Patsy Cline and Gene Vincent, and the result is a warm, well-acted film that packs a real emotional punch. --Simon Leake


Customer Reviews


The love of a woman is an Enlightenment without money, without a doubt superior to others for its durability, strength and wisdom. Most of the film shows the loving relationship between men ends in tragedy, sad, and often death by suicide in prison or creditors, or even execution. I firmly believe that it is really unfair, the attraction between women labeled as forbidden love story. What is the damage it can cause to mankind? Virtually none to be known throughout human historyHistory. The men threatened again and again women freedom for the people of their own problems with love selfish women who want to have. I predict the end of human civilization come first, if not corrected our attitude. In fact, there were more women than men on earth. Something women should have greater ownership of this planet. There are 103 women per 100 men, always. We give impartial assistance 3 women of camaraderie. If they want to choose another woman. Let pursuingtheir freedom to do. It 'been a great relief to me that there was cruelty, such as intimidation or violence to silence Cay and Vivian, and the film with a certain hope that it will meet again finished in the future. free spirit personality Cay played by Patricia Charbonneau was impressive and refreshing. All this makes the film very interesting and worthy praise.Every girl dreams of being dragged into a great adventure, the beautiful daughter. Unfortunately, ifThe women grow, they are often overwhelmed in a life full of claims, obligations and responsibilities. Many women are tired, struggling under the absurd pressure of being a faithful servant, or a caregiver for children, husband or father, and the like.


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